Title: RAGE AGAINST THE DYING
Author: Becky Masterman
BACK COVER BLURB
Brigid Quinn’s experiences hunting sexual predators for the FBI have left her with memories she wishes she didn’t have and lethal skills she hopes never to need again. Having been pushed into early retirement by events she thinks she’s put firmly behind her, Brigid keeps telling herself she is settling down nicely in Tucson with a wonderful new husband, Carlo, and their dogs.
But the past intervenes when a man named Floyd Lynch confesses to the worst unsolved case of Brigid’s career—the disappearance and presumed murder of her young protege, Jessica. Floyd knows things about that terrible night that were never made public and offers to lead the cops to Jessica’s body in return for a plea bargain.
It should finally be the end of a dark chapter in Brigid’s life. Except the new FBI agent on the case, Laura Coleman, thinks the confession is fake, and Brigid finds she cannot walk away from violence and retribution after all, no matter what the cost.
WHAT I THOUGHT
In RAGE AGAINST THE DYING, the first of her Brigid Quinn novels, author Becky Masterman presents us with an unorthodox lead character in the dogged Brigid Quinn. Who is aptly supported by a neat cast of characters. From her mirror, up and coming FBI agent, Laura Coleman, to Brigid’s ex-lovers David Weiss and Zach Robertson. And lastly, her recently wed-to, ex-priest, Carlos DiForenza. Each is used as a foil to Brigid’s actions and personality, resolving, mirroring, lensing, and reflecting the good, the bad, and the downright ugly side of human nature and all it has to offer.
Brigid is a delightfully flawed individual who makes questionable choices—like, accidentally killing a granny-killing stalker—and then? Argues with herself in retrospect about her choices and decisions. Masterman explores with a deft touch what it is that makes Quinn tick, and thereby, in a way, us, as human beings; why do we do what we do.
The writing never wavers, it’s as tough, hot, and gritty as the Tucson, Arizona setting. Unforgiving in places, gruesome and violent when necessary, and balanced, in part, by Brigid’s dry wit.
Essentially a murder-mystery, Masterman goes on to add several other layers as she builds up both the characters and main story-arc, weaving in levels of tension between characters that, no doubt, will also be explored at a later date. And, because of that attention to detail, we get some thoughtful exploration of motives, and a depth to these characters that brings an edge to Masterman’s storytelling.
Excellent depth and character-play, with a well-plotted, twisting story, and a few surprises that, all-in-all, made the ending all the more enjoyable.
Rating : 8 / 10